Some songs become timeless. But every once in a while, something even stranger happens: a beloved classic can live for more than half a century—and still never receive an official music video.
Until now.
George Harrison’s 1973 single “Give Me Love (Give Me Peace On Earth)” has finally gotten its first-ever official music video, directed by Finn Wolfhard—the actor, musician, and filmmaker best known for Stranger Things.

Instead of chasing modern spectacle, the project chose something beautifully stubborn: handmade stop-motion animation. The visual takes viewers through the gardens of Friar Park, Harrison’s home in England, turning the song into a quiet journey—part tribute, part love letter to the gentler life Harrison was known to cherish, especially his passion for gardening.
Wolfhard described the collaboration with the Harrison family as an honor, saying he’s deeply grateful for the opportunity and that George Harrison has been—and will remain—a huge inspiration to him.
Behind those minutes of whimsical calm was a serious craft operation. The video was produced with Toronto-based teams and a group of around 20 stop-motion artists, building every element by hand and animating the story frame-by-frame. Key credits include Animation Director Akash Jones, producers Jason Baum and Michael Wamara, and executive producers Dhani Harrison and David Zonshine.
Dhani Harrison’s response is what makes the story feel genuinely generational rather than “content marketing.” He praised Wolfhard as one of the sweetest and most talented people of his generation, adding that his father would have loved the video—and that Finn’s heartfelt creativity could help the song reach a whole new audience.

The choice of “Give Me Love” also lands with meaning. The song appears on Harrison’s Living in the Material World (1973)—a record rooted in the tension between fame and spiritual peace. The single became a major success (including reaching No. 1 in the U.S.) and the album has been recently celebrated with anniversary editions overseen by the Harrison camp.
So this isn’t just “a new video for an old song.” It’s a moment where the message and the medium match: a prayer for peace told through a slow, tactile art form that refuses to rush. A young director using patience and hand-built detail to honor an artist who believed in gardens, silence, and the kind of love that doesn’t need to shout.